This is a project of tense duality between vernacular principles and a neoplastic understating of shape, place, and landscape. In a naturally fragmented and disconnected context, the Gafarim House offers monolithic, opaque volumes to the street, citing the compact, parallelepipedic masses of northern Portuguese popular architecture and adjusting its scale to the surroundings. It appears with autonomy in its context -an independent object among independent objects- and, in its economy of shape and detailing, it distances itself from the post-rural decorativism that is the norm in today