2026 | Professional

MUSE Design Awards Gold Winner

Princeton University Art Museum, Gallery Installations

Entrant

Studio Joseph

Category

Interior Design - Museum / Gallery

Client's Name

Princeton University Art Museum

Country / Region

United States

About The Entry

The Princeton University Art Museum transforms the traditional academic museum model into a dynamic cultural gateway at the heart of campus. It brings unprecedented access to the collection’s works spanning 5,000 years of human creativity. The design scope of the installation includes more than 40,000 SF of core exhibition space, a changing exhibition gallery, and a series of cases that line the museum’s main two-story gathering room. The presentation is a bold reimagining of how a teaching museum can serve both scholarly and public audiences. A strategy of both deep dives into individual works and groupings investigates broader cultural themes. Thoughtful consideration of sightlines, lighting, and object placement enhances the pleasure—and agency—of serendipitous discovery. Artwork juxtapositions open dialogue and encourage critical thinking, modeling the inquiry-based learning that defines Princeton’s academic culture.

The design process brought together stakeholders from curatorial, education, conservation, digital strategy, collections management, and installation departments. In conversation with curators, the design work involved finding meaningful connections between works. The result is a gallery design that centers the artworks while carefully considering their relationships and dialogue.

A comprehensive typology of adaptable casework creates the flexibility needed for ongoing change. This versatile system meets the best practices for high-conservation cases that protect sensitive works, while densely organized layouts dramatically increase the number of artworks on view. The casework detailing includes carefully dimensioned reveals between different materials, eliminates visible screws or attachments, and seamlessly integrates interpretation/labels close to artworks. There are a dozen types of display armatures with interrelated materiality, security, and conservation. In addition to large wall cases embedded into the architecture, there are close-viewing tables with integrated drawers that allow visitors to examine artifacts and serve as teaching moments, high-conservation cases with desiccant chambers, and simple vitrines that are easily accessed for frequent rotation.

The color palette for walls and casework features cool blue and green shades that complement the warmth of the wood beams and floors. The palette varies from gallery to gallery, depending on the curatorial narrative. This allows visitors to pace their visit and distinguish between cultures and geographies.

Credits

Project Lead |Studio Joseph
Wendy Evans Joseph
Design Lead |Studio Joseph
Monica Coghlan
Project Manager |Studio Joseph
Jose Luis Vidalon
Technical Lead |Studio Joseph
Chris Spadazzi
Designer |Studio Joseph
Iganazio Gozalez
Designer |Studio Joseph
Shriya Sanil
Art Manager |Studio Joseph
Alice Tallman
Designer |Studio Joseph
Sharon Li
Graphic Designer |Studio Joseph
Brandon Studer
Graphic Designer |Studio Joseph
Anthony Roy
Designer |Studio Joseph
Farah Alkhoury
Designer |Studio Joseph
Jinghuan Huang
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