YANGTZE OPUS WUHAN ART MUSEUM

Wuhan’s unique geographical location, so that it has a close relationship with the Yangtze River. To some extent, it is because of the incomparable power of water that Wuhan has the infinite possibility of containing the other. The art installation in the sand table area reinterprets our longing for the future with the gesture of flowing water.Long axis of the base, painted through the space of the empty corridor, lapped around the scale of a body into two or three up, frame scattered re-reorganization of the “Vertical village.”. The gallery on the first floor serves as an emotional context for the gathering of people, symbolizing the “Street”of Li Fen. It is not only for large-scale installations or artistic performances, but also for visitors to travel and participate in different exhibition areas.From a modern point of view, the designer disassembles the symmetrical format of the traditional courtyard and disarranges it. The slices of the vault, the Bell Tower and the balcony are also simplified into the advancing and retreating surfaces and openings of the geometric volume. The structure seems to be random overlapping, creating an unstable interest, but it also shows the street scenes which are constantly evolving and extending to accommodate life. The energy of evolution comes from the living city. This speed of Heterogeneity is not about order, it’s the years that go on and on. The Echo of history, in the form of avant-garde art to performance, is a feeling is also a trend. The call for the memory of the Times is the call for the subjectivity of the individual in the history. Modern Art does not have to be complicated, space does not have to direct, in the flow of no fixed rules to find the answer.