THROUGH THE ANCIENT AND MODERN NATIONAL STYLE OFFICE

Not limited to the ancient and not limited to the present, "inclusiveness" is the spatial characteristic of the design of this case.
Entering the event hall from the elevator hall, we chose a color with high brightness and pleasure as an embellished color. The space is set up with a specially shaped decorative column, and the use of floating lights in the middle makes the modern technological atmosphere full.
There is an important passage from the event hall to the living room, which needs to establish a spatial element that connects the resonance of the past and the present.
The chairman's office is divided into two areas: tea area and reception office area, the tea area uses a character by calligrapher Liu Hongwei as the background, and the sofa behind the sofa in the reception office area is covered with calligrapher Wu Jianguang's Dengyueyang Louji 4 screens, and the aroma of tea, books and ink complement each other.
As the highest ceremonial place for external reception, the solemnity and momentum of the space is the highest respect for the guests. Ming and Qing dynasty mahogany classical furniture blends here. Calligrapher Zang Jinlong's characters and painter Zhang Yin's 4-screen Chinese painting, historical charm and artistic precipitation of oriental context, create a confrontation between elegance and luxury.