2025 | Professional

MUSE Design Awards Platinum Winner

Wudang Dream Main Show

Entrant Company

Beijing Xinhai Culture Media Co., Ltd.

Category

Interior Design - Stage

Client's Name

Country / Region

China

The stage features a 30-meter-wide by 22-meter-high holographic gauze screen, integrated with high-definition images and multi-dimensional CNC screens that move and rotate. This creates an immersive visual experience that blends reality and virtuality. With 62-meter by 19-meter image coverage, the entire theater area experiences the full impact of these visuals. Combined with 7.1.4 surround sound, this setup achieves seamless integration of audio and visuals, delivering a truly immersive viewing experience. A 360° super turntable measuring 9 meters in diameter and 13 meters in height, combined with oversized climbing scenery, creates richly layered and visually striking stage effects. An ultra-large movable scenic element spanning 20 meters breaks away from traditional stage layouts, enabling flexible scene transitions. Eight hundred high-performance lights precisely adjust lighting changes, rendering the stage atmosphere as detailed and vivid as a movie scene. The production features the world's largest roll-up projection screen, with a single set area of up to 600 square meters. A colossal projection screen measuring 33 meters long and 20 meters high delivers grandiose visual experiences. Ten large-scale mobile rotating displays support multidimensional rotations and combinations, ensuring smooth and varied scene transitions. Trackless free-moving scenery vehicles can be accurately positioned anywhere on stage, enhancing the dynamic expression and flexibility of the performance. By integrating physical structures with projected imagery, the stage creates a coexistence of reality and virtuality to depict philosophical concepts such as the Taoist principle of "interdependence of being and non-being." The symmetrical layout reflects Taoist order, while the irregular movements of staggered platforms symbolize the flowing rhythm of "following the natural way." Detailed realism, including mortise-and-tenon joints and glazed tiles, contrasts with minimalist aesthetics achieved through negative space and light-shadow play, presenting a simple yet profound artistic beauty. Modular "mountain" platforms can be freely disassembled and recombined, transforming scenes from golden peaks and valleys to Tai Chi Lake, overcoming the limitations of traditional fixed backdrops. Actors trigger projection changes via wearable devices—stepping on water creates ripples, while waving sleeves generates pine winds—making human-scenery interactions more lifelike.









Credits

Han Haibin
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