SINCERE GARDEN

The design takes light as the design and introduces the Song architectural style into the space from the form of sequence sense, which is infinitely close to the space of people's mind. It is hoped that the immersion experience of the space will give visitors a sense of experience of the great hidden in the city, a quiet experience of primitive and new life, and a new style of different cultures after fusion, which will give life to the space again and make it present the beauty of transcendence. The reception vestibule is inspired by a rethinking of man and nature, where man must know where he is and at the same time identify himself in his environment in order to gain his footing. With a symmetrical mirror layout and a sequence of jagged overlapping lines, a divine light emanates from the simple space. The space is dominated by a simple wooden style, exquisite but not paved, fully exuding the beauty of natural light and achieving balance and harmony. The sand area brings in geometric vision, "Let the light do the designing." The half-height space is staggered, with geometric lines stacking the ceiling and imposing metal screens. Light and shadows emanate from the depths of the space, and the symmetrical approach highlights the depth of the space. Break the rules within the rules, so that the bland space is no longer bland. The golden color echoes with the azure color, staining the atmosphere of Jiangnan's smoke and rain. The architectural structure and furnishing arrangement have become a harmonious whole, and the interior design is an expression of contour, symmetry, and beauty, extending endless imagination. The negotiation area creates an experiential art space based on modern aesthetics. The luminous soft film is used on the roof of the negotiation area to soften the light and shadow of the whole space. Here the architectural tension is stripped away and a pure three-dimensional spatial texture is established. While baptizing and precipitating, it searches for a quiet and profound tranquility.