Shenzhen Qianhai Guixi

The main idea is to extract the elements of Lingnan architecture, use modern design techniques to reorganize and integrate them into the space design, and create space aesthetics. In this case, the design elements of ancient buildings are extended to the negotiation area, creating a blend of sequence and order. The slope ceiling shape uses the commonly used golden ratio of 0.618, to perfectly integrate the ceiling and space. Too much symmetry makes it too serious, and too much to one side of the visual direction makes it too athletic, while the ratio of 0.618 is in a comfortable balance point that is not too exciting and not too rigid. When the customer enters the reception area, to the sand table area and then enters the negotiation area, the division of space on the plane also tries to create a layout according to this proportion, which runs through the entire design. The stone blocking on the facade, the vertical position of the wall lamp, the size and proportion of the decorations, seemingly random distribution, are actually the results of the designer's deliberation and consideration.

The use of light membranes is like a spatial fable in a dream where divine light shines on the top, people stop here to feel the baptism of light, and the projection on the wall has different expressions, evoking a double experience of the senses and the body. The space is embedded with works of contemporary art masters, which are appropriately arranged at the nodes of the circulation path, so that people have surprises when they are in the front or at the corner, subtly enhancing the overall quality of the space.

Based on the characteristics of the project, this case takes "regional characteristics" as the core of the design. Adhering to the urban humanities and modern aesthetic concept, as well as the re-evaluation of the product attributes, starting from the lifestyle and space function, this case responds to the real needs of customers, so as to create an immersive modern aesthetic life art museum.