Xinhua Garden·Songdu Tonglu Fuchunwang

This project is located in the Fuchun River section of Tonglu, Hangzhou City, Zhejiang Province. The design is dedicated to repaying nature with a modernist spiritual space, showing the living feelings with both classical meaning and inheritance.

The mansion gate is made of dark aluminum roof combined with wood-grain gray marble materials, supplemented by traditional Chinese garden molding and carved details, extracting different gray levels of Chinese style and blending in the building, simple and thick lines extend a sense of calm strength, creating a restrained The realm of oriental beauty. In this case, the three-entry courtyard regulation is used to integrate the Chinese architectural etiquette system into the modern architecture, which fully demonstrates the cultural connotation. The design does not win by craftsmanship, but takes nature as the beauty. The mountains and rocks on the bank of Qingchi are staggered, and new branches of ancient trees climb out of the stone walls, without the traces of axe chiseling, and strive to be compatible with the landscape. The sound of water gurgled out from among the stacked rocks, the trees were verdant, and the shadows of the trees swayed, and the sky was full of dynamic and wild life, and the natural happiness of the mountains and forests was concentrated in this corner of the world. The running water was gurgling, the water droplets splashed, and the dripping water surface fainted layers of ripples, and the sunlight cast light spots through the gaps between the leaves, and the water was shining. The various spaces are connected in series through a strip of garden roads, making each space independent and interdependent. The use of overlapping plants to form this peaceful place, and a water surface, fully demonstrate the simple coexistence of architecture and landscape, realizing " With a panoramic view of the shores of mountains and lakes, the vision is to open up the whole world.

We will finally give every visitor the meaning of the emptiness and the blank, and return the infinite imagination to time.