2026 | Professional

MUSE Design Awards Platinum Winner

2026 Shan Yi Chun “”Lil” Sis 2.0” Concert Tour

Entrant

ANH DESIGN COMPANY

Category

Lighting Design - Entertainment Lighting

Client's Name

Production Team Unit Company Limited

Country / Region

Taiwan

About The Entry

“Lil’ Sis 2.0” continues Shan Yi-chun’s narrative of growth, evolving from the imagery of sprouting and hatching toward a return to one’s authentic self. The creative brief was to transform the four-sided stage into a shared spiritual island—a space that could feel deeply personal to the artist while simultaneously belonging to the audience surrounding her.

For the lighting team, the primary goal was to give this island a constantly changing emotional identity rather than impose a single visual language across the concert. Light needed to respond closely to Shan Yi-chun’s vocal character and the emotional trajectory of each song, while maintaining a strong visual relationship with audiences on all four sides of the venue.

The design therefore focused on creating intimacy within a large-scale arena environment, using layered circular structures, direction, movement, color, and intensity to shift naturally between vulnerability, stillness, expansion, and power.

Built around the concept of “giving the same island different faces,” the lighting design deliberately avoids a single, uniform visual style. Instead, changes in color, direction, intensity, density, rhythm, and movement respond to the vocal texture and emotional character of each song. At different moments, the island appears to float and expand, retreat into stillness, or erupt with energy.

Because the production is staged in the round without a fixed front, the lighting architecture had to function equally from every audience perspective. A series of multi-layered circular lighting structures radiates outward from the center while visually embracing the performer from all directions. Light travels across and between these layers, connecting Shan Yi-chun with audiences surrounding the stage.

The concentric structures also carry narrative meaning. They suggest the protection of an eggshell, the moment of hatching, and ultimately the security and belonging associated with home—visual metaphors that echo the emotional journey of “Lil’ Sis 2.0.”

Rather than functioning simply as spectacle, light becomes an architectural and emotional element of the island itself. It continuously reshapes the performance space with the music, transforming what begins as Shan Yi-chun’s individual island into a shared home built together with her audience.

Credits

Lighting Designer
WU, HSIANG-LIN
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