The East Reception Centre

At the entrance hall, the structural luminaires derived from the architectural components form a relationship with the pitched roof. Turning into the brand area, the Yingke pine metal sculpture stretches out from the ceiling in a welcoming manner. The wall and the ground of the same color gray stone formed a unified overall architectural sense. The small slope roof of the foyer, a collection of lighting, air-conditioning equipment, artwork components, to achieve the unity of function and aesthetics.Bypassing the brand Hall and entering the hall part of the whole space, the curtain wall facing the interior landscape can be opened and closed in the form of folding doors. The lobby, with its usual large pitched roof along the long side of the building, features large, crisscrossed crystal ribbon-shaped art pieces, like Huizhou's water, that move and float. In the middle of the sand table area and the negotiation area is the cultural exhibition stand of the whole space, which combines marble and wood, borrows the shape of mortise-and-tenon structure, and allows the two materials to be expressed in the form of architectural structure, and conveys ideas through form. To the left of the hall is the sofa negotiation area, separated from the hall by a metal screen. The Chinese flowering crabapple pattern on the metal net, has“The Jade Hall rich and noble longevity” the fine implication. Sofa area, the use of wall lighting, lighting Dupont paper, the entire area lighting supplement, rice paper grain is very oriental charm. The use of the space against the scenery, symmetry, borrowing the scenery, borrowing the history of the means, to achieve the Chinese architecture in the indoor space with the impressionist approach to perfect interpretation.