Danni Chang

It is a great encouragement! The MUSE Design Awards recognizes not only creativity but also the concept behind the design. For me, this award affirms my efforts to integrate Chinese culture, technological innovation, and environmentally friendly design, and it strengthens my determination to continue exploring this path.

This award has increased our team's international influence and brought more attention to our work. It has also created opportunities for us to collaborate with international brands and film production companies, fostering further exploration in the areas of technological applications, eco-friendly materials, and Chinese aesthetic expressions.

Experimentation is a core part of my design process. I often try to use new materials and technologies, such as XR (extended reality) and LED virtual shooting technology, to combine digital technology with traditional set construction. In one project, we used 3D printing and biodegradable materials, ensuring visual effects while reducing waste and carbon emissions. We also utilized AI algorithms to integrate set designs, allowing materials to be reused across multiple scenes.

Once, while researching ancient Chinese architecture, I discovered that the traditional mortise and tenon structure is not only beautiful but also enhances the stability of buildings. This inspired me to adopt a modular, reusable construction method in film set design, which not only reduces material waste but also improves the sustainability of the sets.

I hope people understand that design is not just about aesthetic expression but also about thinking about the future. We need to find a balance between visual presentation, environmental responsibility, and technological applications so that design can have a more positive impact on society. In design, we must also remember the importance of preserving traditional culture. Every region has its unique culture, and in every design process, I strive to incorporate traditional Chinese culture, which has garnered widespread cultural attention and been adopted by many designers in similar works afterward. I am very proud of this.

I find common ground through thorough communication, demonstrating to the client how my design concepts can enhance the project's value. For example, I emphasize that using eco-friendly materials or new technologies not only benefits sustainable development but also enhances the project's uniqueness, thereby gaining the client's support.

The biggest challenge was how to achieve high-quality visual effects within a limited budget and time. I optimized the design process through technological means, such as using AI for scene simulation and 3D printing for rapid model validation. These methods helped us complete high-standard work within a short period.

I seek inspiration from traditional culture, nature, and technological developments. Sometimes, I visit museums to study ancient Chinese craftsmanship or explore cutting-edge technologies like AI and VR to see how they influence artistic expression. This interdisciplinary fusion often leads to new creative breakthroughs.

My design philosophy is rooted in love—love for oneself, the Earth, and others. I believe that truly powerful design is not just about visual innovation; it should carry emotions and responsibility. In my projects, I strive to create sustainable works that also have warmth. I am committed to environmental protection, focusing on the emotional resonance between characters and the audience, so that the design serves the story while also touching people's hearts. Additionally, I value teamwork and hope to create a positive work environment and foster humanistic care, allowing every creator to feel a sense of belonging and accomplishment in the project. "True eco-friendly design is not about telling people what to do, but making them willingly become co-conspirators for the Earth when they experience beauty."

Keep an open mind and continuously learn new technologies, but also deeply understand your cultural background. Design is not just about visual innovation; it is an expression of thought and ideology. Finding your own design language is key to truly establishing a unique style.

I would love to collaborate with Raymond Loewy, the father of modern industrial design. His philosophy emphasizes "the coexistence of beauty and functionality," which aligns with my approach to film set design. I would love to see how he would combine Chinese aesthetics with modern technology to create a unique visual experience.

I would like people to ask, "How does your design change the industry?" My answer would be that I hope to make film set design more sustainable through technology and environmental protection concepts, while using Chinese culture to tell global stories, allowing audiences worldwide to experience the unique charm of Eastern aesthetics.