2023 | Professional

MUSE Design Awards Silver Winner

Seclusion on the River

Entrant Company

STUDIO LANGHE

Category

Interior Design - Restaurants & Bars

Client's Name

Country / Region

China

Classic but not fashionable: In the choice of materials, recycling old wood, using classic stone for space to add time percipitation and rich imagination. As far as the present business environment is concerned, pipeline industrialization creation can not support the profound cultural connotation, but it can collide to generate unique memory point together with classic stuff.

Simple but not skillful: Beauty is not present in objects, but in the ripple corrugation and light and shade of the deep shadow produced by objects. In lighting design, the control of the intensity of light and dark contrast can create a slightly charming and fancy dining atmosphere. In terms of compilation, artists have been invited to give personalized orchestration to Seclusion on the River, while grasping the impact of music on the atmosphere. The loudest and most beautiful sound is soundless. The quiet space can reflect the connotation of "seclusion".

Plain but not cheesy: Plain and simple things can provide a direct aesthetic sense for people’s heart。 As a strong symbol of Chu’s culture, lacquer is widely used in the choice of vessels in space, in line with the geographical culture positioning of Seclusion on the River. In clothing design, hand-woven linen, Xiangyun silk fabric and other traditional Chinese fabrics are used together with elegant and simple tailoring can naturally emit a unique texture and contour in the dim light.

Arranging landscapes according to environment conditions: Ink and wash painters always create works based on the spirit of space. First of all, it emphasizes the spirit of minimalism. The emptiness of Chinese philosophy is the cultivation of real life. Second, the mystery of monochrome, the blank space in Chinese painting makes the blank space breathe with life. Repeated rendering with ink on Chinese art paper is both controllable and uncontrollable. The natural penetration of ink on Chinese art paper is uncontrollable, but the direction, level, and shade are imagery. Human subjectivity and the naturalness of ink can achieve a great balance.

Credits

Lead Project Designer
Ma Xianfeng
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