Moroccan Mirage

The single-story apartment, which is about 50 years old, is the residence of the owner and his friends when they are on holiday. The original height of the building is quite low, and the planning also needs to consider the function that 10 people use at the same time. The designer uses the projection of mirrors and the penetration of partitions to enlarge the space and extend the visual height twice, creating a visual effect of interlacing virtual and real. The soft decoration layout integrates elements such as Europe, Asia, and Africa, with the theme of the Moroccan court totem and European classical lines plates, titanium metal and rose imagery, as well as oriental ink-splashing stone patterns, ink-washing techniques and so on, intertwined into a cross-regional beauty of delicacy and elegance.



With the theme of the Moroccan court totem, the plan integrates elements such as Europe, Asia, and Africa. The Italian steel stone with ink texture, combined with mirror, titanium, line plate, ink-washing materials, it shapes an elegant and sophisticated visual impression. Pure white is used as the color base in public areas. The ceiling is mirrored to make the ginkgo leaf lights seem to be suspended in the air, injecting a magnificent and elegant palace aura. The dining cabinet and partitions echo each other with totems and shapes, and create a rich depth of field when the visuals penetrate and overlap. With the flexible opening and closing of the rolling doors, the TV-wall takes on a different look and echoes the imagery of the main lights. The bedroom is designed with a Upside-down U shaped (means it can cover everything under the roof) that wraps around the bed to solve the problem of low beams and extend the spaciousness of the space. The back wall of the bed has different fabric shapes and colors to create an irregular visual contrast in a classical symmetrical language.